A similar caveat could be applied to Black Panther, which rode its groundbreaking Afro-centrism and incredible cultural impact all the way to a Best Picture nomination. Without taking anything at all away from Ledger’s brilliant performance, one could argue that his untimely death made him the emotional favorite that year. Following the now legendary snub of The Dark Knight in 2009 for Best Picture and its director, Christopher Nolan, for Best Director, the narrative had been that the Academy and the filmmaking community just didn’t deem these movies worthy of consideration for any of the major “above the line” awards–with the occasional exception like Heath Ledger’s posthumous win for Best Supporting Actor in The Dark Knight or the surprising Best Adapted Screenplay nomination for 2017’s Logan. The question is whether the Academy is finally taking superhero movies seriously as the kind of quality cinematic material that deserves awards recognition. How far they take the campaign, and whether it gets any traction with the voters, remains to be seen, but for the present, it’s happening. They’re asking voters to consider the film in “all categories,” which would include the ones we listed above. Sony Pictures and Marvel Studios, collaborators on the Holland trilogy of Spider-Man movies, are mounting an Oscar campaign for the film, creating “For Your Consideration” ads targeted at Academy members and voters. Anything along the lines of, say, Best Actor, Best Supporting Actor (perhaps for Alfred Molina’s superb return as Doc Ock), Best Director, Best Adapted Screenplay or, dare we say it, Best Picture is about as remote a possibility as Peter Parker having a quiet drink somewhere with Thanos to smooth things over. In other words, the kind of movie that the Academy of Motion Picture Arts and Sciences has often showered with Oscars in the past.īut since this is the basic plot of Spider-Man: No Way Home–minus some of the more fantastical trappings–there’s almost no chance that the Academy will bestow nominations of any kind on Tom Holland’s third standalone outing as Spidey, except for the usual technical nods. Something with urgency, strong themes of friendship, loyalty, and responsibility, and perhaps an emotional climax that will send audiences out of the theater both inspired and saddened. Sounds like a hell of a story, huh? Perhaps a psychological thriller, a wartime melodrama, or even a tragic medical drama. With the help of two strangers with whom he shares more than he cares to admit, he realizes that only a supreme personal sacrifice may alter the course of events.” But his efforts to change that only result in a dangerous, unstable situation that may threaten them all. “A young man’s heroic actions and resultant celebrity status bring unwanted consequences for the lives of the people he loves the most. This article contains Spider-Man: No Way Home spoilers.
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